Artist: Lawrence Coulson
Title: Bring On the Night
Size: 24" x 24"
Edition Size: Artist Hand Signed and Numbered Limited Edition to 150
Medium: Giclee paper
About the Artist: HISTORY & BACKGROUND

I have been surrounded by the art business for as long as I can remember, my father being Gerald Coulson, one of the country’s foremost landscape and aviation artists. I grew up with oil paintings propped up to dry in various places around the house and kind of took it all for granted. My father worked in a spare bedroom and for a while as a young child I thought all Dad’s did the same.

I was always encouraged to draw, my main subject being cars. As I grew up, all I ever wanted to be was a car designer, an occupation I would have loved to have pursued.

I never really excelled in art at school and having left at the age of 16 I started one of three positions in the retail business. By the age of 21, my father encouraged me to have a go at some oil painting. He gave me some pointers at technique, which colours to use, and the importance of tone values. The first attempts were pleasing enough and sold for £30 each in a local pub. Selling a few in this manner gave me the confidence to approach a local gallery and up until the mid nineties this was the mainstay of my part time career. At this point I was convinced that I wanted, and needed, to paint professionally.

I then started hanging work in a local restaurant at the suggestion of the owner, where I sold paintings on a regular basis. I had met both Paul Green and Glyn Washington through my father years before and on discovering Paul was visiting my fathers studio, I arranged for a piece of my work to be on view there. I also arranged a one-night exhibition at the restaurant with the support of its owner and invited Paul Green from the Halcyon Gallery to attend. To my surprise and delight he did, buying most of the work in the progress. Over the next few months I worked as hard as I could to keep up with the demand. This meant that I was retail manager by day and landscape painter by night/weekend. It eventually took its toll on me and I realised that something had to give. It took weeks for me to actually do it, as we had a young child and were not in the best of financial health, but on 4th July 1997 I handed in my notice at the office and became a professional artist.

Almost immediately the quality of my work improved and after several successful showings at the Halcyon Gallery, Washington Green embarked on a publishing programme. Since joining them my career has gone from strength to strength and I now attend promotional exhibitions all around the country, which I have to say I rather quite enjoy.

A DAY IN THE LIFE OF

I tend to work a very structured week. I usually aim to be in the studio around 9am and stay there until about 4.30pm, or until a lack of daylight makes work impossible. I try not to use artificial light if I can help it as it corrupts things too much. Having said that, I can often be found in the studio at 10 o’clock in the evening pottering about. I love my work and can always find something to do much to the annoyance of my wife who thinks I’m a workaholic. These days are often punctuated with drives up to the coast or just around the local countryside with my camera and sketchpad. My favourite coastal haunts are the huge beaches from Old Hunstanton, Brancaster and Thornham to the marshes of Cley and Blakeney.

I had the studio purpose built at the bottom of our garden. It was built to give as much light as possible and be comfortable to work in - with lighting, a wall heater to help dry the work and a small sound system. Loud music helps me work well. It’s no palace but I’ve got the most expensive shed in the village!

I tend to produce work in batches, between fifteen and twenty at a time and I try to show as much variety in the subject matter as possible while still producing the style of work that I enjoy and have become known for.