Artist: Mark Spain
Title: Crescendo II
Size: 30" x 30"
Edition Size: Artist Hand Signed and Numbered Limited Edition to 150
Medium: Giclee (canvas)
About the Artist: HISTORY & BACKGROUND

I have always been interested in art right from an early age. After having attended Art College, I decided I favoured printmaking and opened up a print making studio in Kent where I spent many years developing my etching and collagraph techniques.

After the storm of October 1997 I was commissioned to produce a limited edition etching of Kew Gardens. Other commissions have included ones for Natwest Bank and The Dorchester Hotel.

My art began with a love of landscape images and had many etching editions published by CCA Galleries of London. These were successful and spanned many years. However, as time went on I felt the need to develop other forms of imagery from abstract to figurative. I am constantly experimenting with different subjects and techniques, which I then apply to a variety of images. Although this is new to me I have thoroughly enjoyed and embraced the new challenge.

My collagraphs have been exhibited at Mall Galleries, and my abstract oils at the 20th Century British Art Fair as well as other works being shown at the Chelsea and Hampton Court Flower Show and the Barbican Contemporary Print Fair. More recently, my figurative works have been published by Washington Green.

A DAY IN THE LIFE OF

My typical day for me would depend on whether I知 print-making or painting.

When printing, the day normally begins at about 8.00am with the preparation of inks and paper. If all goes well I will hopefully have my first print pulled off the press at about 9-9.30am. Once I am set up and the prints are coming off the press, I either print part of an edition or continue colour proofing new images for the rest of the day until about 5.30pm.

If I知 painting my working day is somewhat less demanding physically, but can mean a much longer day. I may start the day off with a light workout at the local gym, followed by breakfast at about 9.00am. I begin painting fairly slowly with plenty of tea breaks and music in the background until hopefully I settle into an image and it seems to flow. If its going well, I will continue with it until I feel I need a break, otherwise I usually stop for lunch at about 1.30pm and then carry on working until about 6.30pm when family matters take over. With two young children I try as much as possible to make sure I spend some quality time with them each day. I may return to work about 9.00pm, once the children are in bed, and if I知 feeling particularly keen and inspired I have no fixed finishing time before calling it a day.