
Mort Kunstler Limited Edition Artist Proof Print: "Letter from Home"

Artist:Mort Kunstler
Title:Letter from Home
Edition::Artist Signed and Numbered to 100 AP's. COA included.
Image size:15 1/4" x 19 "
About the Art:“O, if this war was over, you and all the soldiers could come home and stay home in peace.” So read a letter from home received by a soldier in Robert E. Lee’s army in 1863. It was a typical sentiment expressed in letters sent to soldiers of both the North and the South. Among the hardest burdens borne by troops in this bloodiest of all American wars was the separation from loved ones.
Receiving a letter from home was a heart-stirring event for war-weary troops yearning for the simple pleasures of peace. News from the family, bits of gossip, words of encouragement from parents and siblings, endearing sentiments from wives or sweethearts – all provided welcome diversion from dull duties and battlefield dangers.
“Mother give me her little sheep, and I will have the wool to make you some stockings,” wrote a young son to a soldier father in the Army of Northern Virginia. “Mother says I am a good boy and smart too…” Such poignant reminders of home could refresh tender memories in a soldier, but could also rekindle the pain of separation. “There ain’t a day, no hardly an hour, but what I am thinking of you and the children,” a dutiful Johnny Reb replied to the wife he left behind. “I look at your photograph and fear it is the last I shall see of you.” For most soldiers, however, the pleasures afforded by mail far outweighed the pain. Letters were read and read again – repeatedly. “Please rite me agin soon,” one Southern soldier asked the folks back home, “for I am mity sad and lonesom.” In the lull between battles, even amid the ruckus of a bustling nighttime camp, a letter from home was a priceless treasure of hope.
Mort Künstler’s Comments Many of my paintings take years for the idea to germinate and become a finished work. Letter From Home is one.
In 1993, I did a book, Gettysburg: The Paintings of Mort Kunstler, which was the official companion book to the Turner motion picture. The book contained a mixed media study with three soldiers playing checkers. It was done as a vignette. After years of thinking about the potential for a finished, squared off painting using that theme, I finally came up with Letter from Home.
The study gave me the basic poses of the three main figures. I decided to paint them as Confederate soldiers because of the colorful, rag tag look that they have, as opposed to the well equipped look-alike uniforms and accoutrements of the Federal Army. I also decided that I wanted to do a night scene because my previous painting, His Supreme Moment, was in daylight. This gave me the opportunity for some interesting lighting effects. To read a letter at night, I felt that a natural source of light for a situation like this would be a lantern hanging from some stacked arms, tripod style.
Title:Letter from Home
Edition::Artist Signed and Numbered to 100 AP's. COA included.
Image size:15 1/4" x 19 "
About the Art:“O, if this war was over, you and all the soldiers could come home and stay home in peace.” So read a letter from home received by a soldier in Robert E. Lee’s army in 1863. It was a typical sentiment expressed in letters sent to soldiers of both the North and the South. Among the hardest burdens borne by troops in this bloodiest of all American wars was the separation from loved ones.
Receiving a letter from home was a heart-stirring event for war-weary troops yearning for the simple pleasures of peace. News from the family, bits of gossip, words of encouragement from parents and siblings, endearing sentiments from wives or sweethearts – all provided welcome diversion from dull duties and battlefield dangers.
“Mother give me her little sheep, and I will have the wool to make you some stockings,” wrote a young son to a soldier father in the Army of Northern Virginia. “Mother says I am a good boy and smart too…” Such poignant reminders of home could refresh tender memories in a soldier, but could also rekindle the pain of separation. “There ain’t a day, no hardly an hour, but what I am thinking of you and the children,” a dutiful Johnny Reb replied to the wife he left behind. “I look at your photograph and fear it is the last I shall see of you.” For most soldiers, however, the pleasures afforded by mail far outweighed the pain. Letters were read and read again – repeatedly. “Please rite me agin soon,” one Southern soldier asked the folks back home, “for I am mity sad and lonesom.” In the lull between battles, even amid the ruckus of a bustling nighttime camp, a letter from home was a priceless treasure of hope.
Mort Künstler’s Comments Many of my paintings take years for the idea to germinate and become a finished work. Letter From Home is one.
In 1993, I did a book, Gettysburg: The Paintings of Mort Kunstler, which was the official companion book to the Turner motion picture. The book contained a mixed media study with three soldiers playing checkers. It was done as a vignette. After years of thinking about the potential for a finished, squared off painting using that theme, I finally came up with Letter from Home.
The study gave me the basic poses of the three main figures. I decided to paint them as Confederate soldiers because of the colorful, rag tag look that they have, as opposed to the well equipped look-alike uniforms and accoutrements of the Federal Army. I also decided that I wanted to do a night scene because my previous painting, His Supreme Moment, was in daylight. This gave me the opportunity for some interesting lighting effects. To read a letter at night, I felt that a natural source of light for a situation like this would be a lantern hanging from some stacked arms, tripod style.

| Framing Options No thank you, I just want the print unframed. Black Matte Hardwood Frame, DL-8, #325, add (+$199) Antique Gold Frame w/ Black Design, PR-4, #95135, add (+$249) | Outer Mat Antique White #251 Black #221 Brick #231 Burgundy #38 Charcoal #257 Creme #223 Dark Brown #106 Dark Mahogany #88 Dark Spruce #125 English Rose Pink #151 Gold #568 Khaki #92 Light Gray #82 Linen #128 Mauve #154 Midnight Blue #131 Mist Gray #112 Navy Blue #230 Pale Moss #253 Pineneedle Green #411 Putty #90 Royal Blue #142 Sage Green #247 Silver Mist #130 Spiced Brown #710 Storm Gray #114 Wedge Wood Blue #124 | Inner Mat Antique White #251 Black #221 Brick #231 Burgundy #38 Charcoal #257 Creme #223 Dark Brown #106 Dark Mahogany #88 Dark Spruce #125 English Rose Pink #151 Gold #568 Khaki #92 Light Gray #82 Linen #128 Mauve #154 Midnight Blue #131 Mist Gray #112 Navy Blue #230 Pale Moss #253 Pineneedle Green #411 Putty #90 Royal Blue #142 Sage Green #247 Silver Mist #130 Spiced Brown #710 Storm Gray #114 Wedge Wood Blue #124 |
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