Bradley Schmehl limited edition print on canvas:"Collapse of the Peach Orchard Line"
Artist:Bradley Schmehl
Title:Collapse of the Peach Orchard Line
Size (H x W):20 x 30
Edition:195
Medium:limited edition print on canvas
About the Art:July 2nd, 1863 - 2:30 pm-- We are standing on Emmitsburg Road facing west/northwest with Seminary Ridge in the distance. Directly in front of us is Joseph Sherfy's home, canning house, corn crib (small structure at the extreme left) and, beyond the first line of Confederates, a portion of his orchard. The Confederates closest to us are the 18th Mississippi, of Barksdale's Brigade; beyond them are the Georgians of Wofford's Brigade. Both brigades are of McLaws' Division, Longstreet's Corps, Army of Northern Virginia.
The colorful zouave troops closest to us belong to the 114th Pennsylvania, Graham's Brigade (1st Brigade, First Division, III Corps, Army of the Potomac. The captain at the right has ordered the color guard to fall back a distance up the Emmitsburg Road, the regiment's only route of escape, since at this point the Confederates are not only in their front, but on their left flank and rapidly gaining their rear. The rest of the regiment will fall back to their colors, and the maneuver will be repeated several times until the regiment has arrived safely at Cemetery Ridge and the main Union line.
The dead horses and solitary Yankee corpse in the middle distance, between the two opposing lines of troops, are from Bucklyn's Battery (also known as Randolph's Battery), Battery E, 1st Rhode Island Light Artillery, whose right gun was posted in the area a short time before. The Sherfy home and outbuildings were occupied by Federal soldiers who sniped at the oncoming Confederates from the windows of the home's south side. We can see the damage done by Confederate returned fire. The smoke we observe in the distance, from behind the trees just beyond and to the left of the wood-sided canning house is from the guns of Patterson's Confederate Battery.
The two flags carried by the 114th Pennsylvania's color bearer differ, though it is hard to see. The flag at the left carries a Pennsylvania state seal in the midst of a blue field. (Some of the seal's scrollwork is barely visible.) The flag on the right is a regular Union flag. The colors were not captured in this battle. The farmyard fence has been trampled down, probably by the skirmishers of the 63rd Pennsylvania, who were ordered forward and retreated when their ammunition ran out earlier in the day.
BRADLEY SCHMEHL Bradley Schmehl is an artist with a love of history and a passion for the Civil War. Ideas for paintings come to the artist through reading history books, the diaries and letters of soldiers, visiting battlefields and historical sites -- and most importantly, talking and exchanging ideas and information with the many interested and interesting people who share his sense of history. Each of his paintings requires extensive research. He begins with a rough pencil sketch, usually done on location of the actual site or battlefield. Models are engaged to pose as various characters in the picture, then photographed. Once Schmehl is satisfied that his concept is historically accurate, he begins the actual painting process.
Title:Collapse of the Peach Orchard Line
Size (H x W):20 x 30
Edition:195
Medium:limited edition print on canvas
About the Art:July 2nd, 1863 - 2:30 pm-- We are standing on Emmitsburg Road facing west/northwest with Seminary Ridge in the distance. Directly in front of us is Joseph Sherfy's home, canning house, corn crib (small structure at the extreme left) and, beyond the first line of Confederates, a portion of his orchard. The Confederates closest to us are the 18th Mississippi, of Barksdale's Brigade; beyond them are the Georgians of Wofford's Brigade. Both brigades are of McLaws' Division, Longstreet's Corps, Army of Northern Virginia.
The colorful zouave troops closest to us belong to the 114th Pennsylvania, Graham's Brigade (1st Brigade, First Division, III Corps, Army of the Potomac. The captain at the right has ordered the color guard to fall back a distance up the Emmitsburg Road, the regiment's only route of escape, since at this point the Confederates are not only in their front, but on their left flank and rapidly gaining their rear. The rest of the regiment will fall back to their colors, and the maneuver will be repeated several times until the regiment has arrived safely at Cemetery Ridge and the main Union line.
The dead horses and solitary Yankee corpse in the middle distance, between the two opposing lines of troops, are from Bucklyn's Battery (also known as Randolph's Battery), Battery E, 1st Rhode Island Light Artillery, whose right gun was posted in the area a short time before. The Sherfy home and outbuildings were occupied by Federal soldiers who sniped at the oncoming Confederates from the windows of the home's south side. We can see the damage done by Confederate returned fire. The smoke we observe in the distance, from behind the trees just beyond and to the left of the wood-sided canning house is from the guns of Patterson's Confederate Battery.
The two flags carried by the 114th Pennsylvania's color bearer differ, though it is hard to see. The flag at the left carries a Pennsylvania state seal in the midst of a blue field. (Some of the seal's scrollwork is barely visible.) The flag on the right is a regular Union flag. The colors were not captured in this battle. The farmyard fence has been trampled down, probably by the skirmishers of the 63rd Pennsylvania, who were ordered forward and retreated when their ammunition ran out earlier in the day.
BRADLEY SCHMEHL Bradley Schmehl is an artist with a love of history and a passion for the Civil War. Ideas for paintings come to the artist through reading history books, the diaries and letters of soldiers, visiting battlefields and historical sites -- and most importantly, talking and exchanging ideas and information with the many interested and interesting people who share his sense of history. Each of his paintings requires extensive research. He begins with a rough pencil sketch, usually done on location of the actual site or battlefield. Models are engaged to pose as various characters in the picture, then photographed. Once Schmehl is satisfied that his concept is historically accurate, he begins the actual painting process.
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