Title:Devil's Den - Gettysburg
Size (H x W):20 x 30
Edition:950 numbered and hand signed by the artist
Medium:limited edition print on paper
About the Art:July 2nd, 1863- 4:30 pm-- As we view the scene before us, we are standing near the bank of Plum Run Creek, which is behind us and looking north-northwest at the Devil’s Den. We see an officer urging on the men of the 17th Georgia. They are contending with infantry fire from the front (the crest of Little Round Top) and left flanks (Houck’s Ridge, where the 99th Pennsylvania has wheeled to there left rear and is raining down heavy fire on the Rebs), as well as canister fire from a two-gun section of Captain James Smith’s 4th New York Light Artillery.
The 17th Georgia, from Benning’s Brigade, Hood’s Division, were in the second wave of Confederate troops to sweep through the 'Slaughter Pen,' the boulder-strewn gorge through which Plum Run Creek flows, just to the south of the Den. Along with the 2nd Georgia, they had attempted to reinforce and bolster the attack of the 44th and 48th Alabama of Law’s Brigade, which has now stalled completely.
The dead Yankees in the painting belong to the 4th Maine, which was pushed out of Devil’s Den by the 44th Alabama earlier in the fight. The surviving men of the 4th Maine now huddle several tens of yards in the rear of the Georgians. The green-coated captain in the right foreground is from the 2nd U. S. Sharpshooters, one of two regiments of crack shots raised by Colonel Hiram Berdan in 1861. They were deployed as skirmishers this day, before Hood’s division began its assault and part of the regiment has retreated through Devil’s Den.
In the end, the seven Union regiments which had held relatively strong positions in and around the Devil’s Den were confronted with overwhelming odds and forced to retreat. Fortunately for the Union, Devil’s Den was no longer the left flank of the army. Yankee forces atop Little Round Top had already repelled several Confederate charges and reinforcements were on the way.
BRADLEY SCHMEHL Bradley Schmehl is an artist with a love of history and a passion for the Civil War. Ideas for paintings come to the artist through reading history books, the diaries and letters of soldiers, visiting battlefields and historical sites -- and most importantly, talking and exchanging ideas and information with the many interested and interesting people who share his sense of history. Each of his paintings requires extensive research. He begins with a rough pencil sketch, usually done on location of the actual site or battlefield. Models are engaged to pose as various characters in the picture, then photographed. Once Schmehl is satisfied that his concept is historically accurate, he begins the actual painting process.