Kazimir Severinovich Malevich Hand Numbered Limited Edition Print on Paper :"WWI Propaganda Print"
Title: WWI Propaganda Print
Dimensions (W x H ): Paper Size: 28 x 20 in | Image Size: 24 x 16 in
Edition | Medium: Each print is hand numbered, accompanied by a certificate signed by the Master Printer and is numbered to match the print. The editions are limited to 1880 copies. |
This Gouttelette print on paper is published with light-fast inks to BS1006 Standard onto acid-free calcium carbonate buffered stock, mould-made from 100% cotton and sourced from environmentally conscious paper suppliers. This product is exclusive to Rosenstiels.
About the Art: Superior Edition
About the Artist:
Kazimir Malevich was born in 1879 near Kiev in the Kiev Governorate of the Russian Empire (today Ukraine). His parents, Ludwika and Seweryn Malewicz, were ethnic Poles. Both parents were Roman Catholic and they had fled from Kopyl Region of Belarus to Kiev in the aftermath of the January Uprising of 1863. His native languages were Russian and Polish.
Until age twelve he knew nothing of professional artists. He delighted in peasant embroidery, and in decorated walls and stoves. He was able to paint in the peasant style. He studied drawing in Kiev from 1895 to 1896.
From 1896 to 1904 Kazimir Malevich lived in Kursk. In 1904, after the death of his father, he moved to Moscow. He studied at the Moscow School of Painting, Sculpture, and Architecture from 1904 to 1910 and in the studio of Fedor Rerberg in Moscow (1904 to 1910). In 1911 he participated in the second exhibition of the group, Soyuz Molodyozhi (Union of Youth) in St. Petersburg, together with Vladimir Tatlin and, in 1912, the group held its third exhibition, which included works by Aleksandra Ekster, Tatlin, and others. In the same year he participated in an exhibition by the collective, Donkey's Tail in Moscow. By that time his works were influenced by Natalia Goncharova and Mikhail Larionov, Russian avant-garde painters, who were particularly interested in Russian folk art called lubok.
Malevich's described himself as painting in a "Cubo-Futuristic" style in 1912. In March 1913 a major exhibition of Aristarkh Lentulov's paintings opened in Moscow. The effect of this exhibition was comparable with that of Paul Cézanne in Paris in 1907, as all the main Russian avant-garde artists of the time (including Malevich) immediately absorbed the cubist principles and began using them in their works. Already in the same year the Cubo-Futurist opera, Victory Over the Sun, with Malevich's stage-set became a great success.
