James Lynch Hand Numbered Limited Edition Print on Paper :"Gloucester Old Spot"
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James Lynch Hand Numbered Limited Edition Print on Paper :"Gloucester Old Spot"

Item# ROS-GM611
$285.00
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Artist: James Lynch
Title: Gloucester Old Spot
Dimensions (W x H ): Paper Size: 28 x 20 in | Image Size: 24 x 16 in
Edition | Medium: Each print is hand numbered, accompanied by a certificate signed by the Master Printer and is numbered to match the print. The editions are limited to 1880 copies. |

This Gouttelette print on paper is published with light-fast inks to BS1006 Standard onto acid-free calcium carbonate buffered stock, mould-made from 100% cotton and sourced from environmentally conscious paper suppliers. This product is exclusive to Rosenstiels.


About the Art: Superior Edition
About the Artist:

James Lynch was born in 1956 and has been painting professionally for thirty years. From his first sell-out exhibition in the 1980s he went on to win awards and prizes from the Royal Academy, the Elizabeth Greenshields Foundation and the Spectator. His patrons include the National Trust, the Folio Society and many eminent private collectors. He exhibits regularly in London.

He became known in the 1980s for his paintings of monumental animals set in visionary landscapes, but his more recent work focuses on the English landscape and its different moods at times of day, seasonal light and dramatic weather.

James Lynch paints using the ancient medium of egg tempera. He mixes traditional gesso from raw ingredients and makes his paint according to Quattrocento recipes, using pure ground pigments, egg yolk and water. The paint is built up in thin layers and the surface hardens to become one of the most durable and lightfast there is, with a sheen which gives a translucent glow to the colours.

"One can hardly imagine a more laborious, slow-maturing process. It probably accounts for the extraordinary sense of balance Lynch achieves in his work as though he is placing us at the still centre of the moving world."

John Russell Taylor, The Times Art Critic


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